It takes two kaleidoscope4/12/2023 In an interview by Whitney Mallett, she shares her outlook on consumerism, superficiality, and celebrity spectacle. Swiss artist Sylvie Fleury has affirmed herself in the ’80s at the center of a new wave of feminism, by appropriating shopping bags, makeup palettes, and candy-colored rockets resembling giant vibrators. Interviewed by Philip Maughan, they discuss meat as a product of nature as well as a design object, negotiating the boundary between exploitation and seduction. In his practice, Norwegian-German artist Yngve Holen investigates the post-human entanglement between bodies and objects of consumer culture. Through photography by Joshua Gordon and an interview by Anastasiia Fedorova, we discover his House in Los Angeles, which exists as an archive, a museum, and an LGBTQ+ community space.Įmerged from the gay, black subculture of New York City, and situated amid a network of influences ranging from Andre Walker to the late Virgil Abloh, designer Shayne Oliver talks to Fredi Fischli and Niels Olsen about his newest, collective project Anonymous Club, captured here by Marc Asekhame. On the occasion of an exhibition celebrating his legacy, we look back to Tom of Finland’s egalitarian, queer utopia. Williams and painter Josh Smith discuss the “belligerent magic” behind their latest collaboration on the Givenchy SS22 collection-with an original photo story by Jason Nocito, starring Texan emo cowboy and burgeoning fashion icon Teezo Touchdown.Įast London-based rapper and producer John Glacier (photographed by Davit Giorgadze) sits down for a chat with Cyrus Goberville about her creative process-one which rejects conventions, genre distinctions, and stagnant self-narratives, in favor of intimacy, awareness, and channeling the voice of her inner child. In conversation with Adam Wray, designer Matthew M. Portrayed through the lens of Tobias Spichtig, Loïck Gomez aka BFRND talks to Jordan Richman about the power of difference, and the sense of community that lies therein-from his soundtracks for the Balenciaga shows, a product of his creative and life partnership with Demna, to his forthcoming debut album. In full transparency, Wildlife Acoustics publishes a classifier performance spreadsheet to illustrate how well our classifiers perform and which species may be confused with others.* Unfortunately, we are not able to guarantee a specific cover at time of order. Customers should always manually verify the suggested ID. Note: It’s important to note that while the Bat Auto-ID is powerful, it is not 100% accurate, as bats can make similar sounds, noise can interfere with a clear recording and other environmental contexts make automated IDs very difficult. You can look at our cross validation classifier performance testing results here to better understand the scope of our training data and the areas where species with similar calls can be confused. Kaleidoscope Pro presents Bat Auto-ID results, along with other metadata such as call parameters, timestamps, temperature, etc, in a table that's easily exported into Excel and other applications for pivot table and chart creation.Īuto ID classifiers are currently available for species in North America, U.K., Europe, Neotropics and South Africa. Kaleidoscope Pro Bat Auto-ID is built by using clustering technology and data from hundreds of thousands of recordings that have been identified and reviewed by our partner experts.
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